Nothing beats a soulful beach wedding. They are intimate, natural and the choice of location is usually a place of special  significance. Holly and Noel’s wedding was exactly that. Their wedding day was full of natural beauty, and the Australian landscapes are just divine! The team from Luke Simon Photography caught it all on camera and what a beautiful job they have done. The Queensberry Design team designed this gorgeous 10x10 Flushmount Album. See it in all its glory below... A Translucent title page is the perfect start to any album. The little surfing village To View More >>

It used to be that people would ask me if I used film or digital, generally because they'd heard a horror story. I would show them an album and ask them firstly if they liked the quality of the images, and then what they thought it was shot with. Most guessed wrong and said "film". Back then my using digital could have undermined my perceived value. But what if your choice of suppliers added perceived value to your service? What if you had brides asking about your suppliers? If a client sought you out because you used Queensberry would you be offended? If you don’t tell your clients why your To View More >>

Well it's been a tough week. No plague of locusts, but nothing else came easy! But we’ve reached final and it’s an amazing feeling. Our company’s growing and we want to show our thanks. Here goes… From Day One our goal has been to build an outstanding application, which is impossible without supportive, committed beta testers. But beta testing is like jury service – who wants to get involved? It's purely voluntary, everyone benefits, and that’s why we’re so grateful. We know it’s been tough at times, but what we've done together is build cool software - thank you. Trust us – the To View More >>

Johannes has a better metaphor, but the photo is from iStock. - Ed. The Bumble Bee Effect. Different to the Butterfly Effect because they haven't made a movie of the same name with at least two sequels. The Bumble Bee effect is all about buzz and pollen. It's about being talked about. We successfully did so by putting on an earthquake (a really big one). There are other ways to create a buzz that are much more positive. Obvious buzz topics are awards, photographing the wedding of Kate and Prince William, standing tall in the face of adversity, scandal, heroism, and achievement. (Actually 'scandal' To View More >>

Rebecca said it right! The more you replicate other photographers the more beige you become. Be inspired by the success of other photographers and influenced by their philosophies. Be colourful, but accept that some people see beige as a safe colour. Somebody asked me how do we stand out when our audience sees us as somehow all the same ... just dearer or cheaper (light beige and dark beige). I was watching a piece on TED about a guy called Daniel Libeskind ... his work is very left of centre and clearly not beige. Watch it and listen to his talk. Take note of his word sets, Emotional To View More >>

Further to Anna's emotional cry to 'save people in photographs from random and thoughtless amputations'… I was trying to think of a way to 'stop the suffering'. It occurred to me that we could specifically shoot for the panoramic opportunity. Shoot what you might call 'the subject image' and then move slightly to get the 'rest of the scene' photograph. Use the spine as the aligned join for these images to create a panoramic effect. This has two advantages. The enlargement required is less, keeping the quality up. You plan more for the placement of your subject so that nobody has to lose an arm. To View More >>

I have taken up a temporary position helping out with the Photojunction support team. One thing that I have noticed is that people seem to have more problems with the mechanics of Photojunction not fitting into their own experience or habits. Hardly ever does anybody ask for design advice. I wonder if it is the same with photography. People will ask about technical things like lighting and composition but much less often about content and emotion. ARE WE TOO SHY? I don't think so! As photographers we are called upon to be the creative voice for our clients. Is it that we don't like to ask for help? To View More >>

Here in Shakey Town (Christchurch) things won't be 'normal' for a long time. In Queensland they are still drying out the carpets. In Japan they haven't even started. These are all timely reminders of our vulnerability, and a very good reason for having an offsite backup. The unforgiving nature of these disasters made us think about ways to store information securely and safely. Our problem is the volume of data we generate every time we head out to shoot. I just wanted to prompt people to think about it, because for us, one of the first thoughts for our business, after the big quakes, was access To View More >>

Three quick tips to simplify album design. 1. Avoid unnecessary repetition (eg this is the bride looking slightly left, straight ahead, and slightly right) unless you make your profits from the number of images you sell. 2. Embrace open space (especially in sample albums - lead by example). 3. Offer a two album option that allows people to have lots of images without overcrowding. While I'm mentioning 'leading by example': If you don't make a sample album from each order, at least make each design into a slideshow you can show prospective clients. This library of slideshows allows you to show them To View More >>

I used to have a rule, 'If there is a black and white image in an opening the whole opening should be black and white!' It was a good rule because it fitted well with my 'Keep it simple' approach to album design. I have however seen some lovely designs from some very talented photographers where they are using the contrast between the black and white image and the colour one to either remind you of colour, or remind you of form. So I have modified my rule. Use colour and black and white together with intent only. Random meaningless mixing creates visual chaos and disturbs the viewing experience. To View More >>